‘Cloud Gazing (i)’, 2024, video analysed by object recognition algorithms, sound instagram.com/damienroach_ View piece here: https://www.instagram.com/share/BAbB1l3pwp

Superradiance (2024) is a multiscreen video and sound installation, film and performance by Memo Akten and Katie Peyton Hofstadter exploring embodiment, technology, and planetary consciousness. It invites the viewer to extend their bodily perception beyond the skin and into the living environment.

The Vegetable Vendetta What happens if AI empowers vegetables and their small producers with the marketing skills of the biggest global brands? The Vegetable Vendetta explores this question and aims to trigger discussion about advertising, art and human desire.  The project is presented at museums and events. Different setups explore new project meanings and perspectives. […]

Underpass Sky Voxelation (2025) This piece is part of my ongoing Experiential Extensions series in which I craft compositions from visual artifacts of my experiences using algorithms and data. I explore and record my surroundings collecting intricate shapes from enclosed edges of visual phenomena, and I create spatial forms using the time data associated with […]

Fertile Matrices About Did you say “Artificial Intelligence”? Better call it the “big lasagna of matrices”: even the most modern artificial neural networks are nothing more than countless layers of matrix multiplications, whose coefficients are tuned on endless batches of training data. Nothing very fancy. Nothing very poetical. And yet. Out of the great GPU […]

“la traversée de la forêt” (2025) is a monumental tapestry by aurèce vettier, a completely unique piece derived from a set of AI-generated images. In recent months, aurèce vettier has expanded the series entitled le travail des rêves, first presented at Bright Moments Paris, shortlisted for the Lumen Prize in 2024 and featured in the […]

Be Water Obvious, 2025Movement-to-video algorithms (OnlyFlow) “Be Water” is an immersive video installation that tells the story of the water cycle through a poetic reinterpretation of its movement in all states — liquid, vapor, ice. This oniric journey draws inspiration from the natural elements that rely on water to exist, inviting the viewer to lose […]

More-than-Harmonious   In the face of the Anthropocene crisis, what kind of world should we world? Donna Haraway rejects simplistic solutions, urging us to “stay with the trouble.” Reacting to this call, More-than-Harmonious is an interactive artwork that immerses participants in a real-time, embodied worlding experience, synthesized through customized AI technologies. Caption: More-than-Harmonious (was entitled […]

Speculative Species Evolution is an ongoing art and research project that explores how life might evolve in the near or distant future under the influence of artificial intelligence, human intervention, and the ecological pressures of the Anthropocene. At the core of the project is an inquiry into how emerging technologies—particularly generative AI and computer vision—can be used not to […]

Searching for Sayed in Latent Space One of the fundamental forces in creation is bias—not just personal bias or the influence of our surroundings, but also the bias embedded in the tools we use to create. Over the past two years, I have been exploring this bias—testing, learning, and ultimately embracing it to the point […]

Latent Landscapes interactive installation, color, 16:9, silent, be, 2024 Latent Landscapes explores the relationship between human and machine perception. A lightbox filled with sand serves as a tactile interface where visitors can draw in the sand. This miniature sand landscape is filmed and translated into a text prompt to generate new images, animated in realtime. The AI […]

Exploring the legacy of industrialization and its aftermath in Uruguay

INSECTA OBSCURA Parasites of the Imagination & A Warning from the Post-Human Exhibited at: AI Art Gallery – CVPR 2025 AI Art Creator: Ngoc-Han Chau Country: Vietnam Check more images: FULL SET My virtual exhibition (input the code for free-access: 131013) HERE   Story telling As we glance around the world, we like to find tidily drawn lines — lines of distinction between species, between life and matter, between small insects and complicated humans. But imagine if AI enabled us to […]

Imprint (2024) I take a graphic approach to photography, working with the method of scanning. It is fascinating to me because of the possibility of looking at objects outside the usual time and space, which allows me using of a computer vision techniques. The work should convey the wonder of something that is not directly […]

After ‘A Sudden Gust of Wind (after Hokusai)’, 2024 In 1993, Jeff Wall meticulously reworked Hokusai’s famous woodblock print, spending over a year orchestrating actors and stitching together 50 photographs to create A Sudden Gust of Wind (After Hokusai). Three decades later, AI image generators can create variations of Wall’s composition in seconds. In my […]

Treman Woods Time Split (2024) This artwork was one of twelve produced during my summer 2024 artist residency project undertaken at the Cornell University Program of Computer Graphics. The goal of this residency was to develop a new art project called Dreamscape Memories, which attempts to advance my work beyond representing how great landscapes are […]

Microcosmic Universe Project Description “Microcosmic Universe” constructs an animated morphing universe from microscopic captures, transforming cross-sections of pine roots into flowing galactic ecosystems through AI mediation. This technical process reveals how infinitesimal spaces contain complete cosmic blueprints. Technical Details Reality Capture: Microscopic photography (Xiaomi 12T Pro + Optical microscope) AI Transmutation: Hybrid workflow using SDXL […]

Four Dimensional ArchitectureDynamic Constructions in the Dimension of Time Future Building-Final Demo Video This project explores the possibilities of a future architecture, a ‘four dimensional architecture’ based on the changing dimension of time. In this concept, architecture is no longer a static physical structure, but a dynamic entity that can evolve over time and adapt […]

The work Latent Scull is part of a larger series entitled Content Aware Studies, which we refer to as an artistic intervention on reverse archaeology. The series includes sculptures, videos and texts as inquiries into reverse archaeology through Ai models and datasets of 3D scans. Aimed at reconstructing missing fragments within sculptures of classical antiquity […]

Assorted pieces from 2024/2025 that blur boundaries between the familiar and the unknown, always playing with the tension between permanence and transformation. At the crossroads of art and technology, each series captures moments of curiosity, vibrance, and a touch of the unexpected.     SculpturesThis series presents forms that melt and reform—shifting between organic and geometric […]

Melancolía de un no especie “organismos imaginarios observadas por maquinas” Artwork: https://youtu.be/nByyAdR-A1I This video art explores the creation of synthetic organisms, questioning our perception and interaction with them, while speculating about the beings that will inhabit the Anthroposcene and its implications for human existence in the digital age. Created using advanced computer vision techniques, the […]

  Insecta ex machina Insecta ex machina (2024),Grit Wolany   Exploring the Possibilities of Novel Fusions Generative artificial intelligence (AI) has become an integral part of our daily lives, unlocking new dimensions of creativity—not only in commercial design but also in the arts. The project Insecta Ex Machina harnesses generative AI technologies to create exploratory […]

Angela Ferraiolo, Fracture Nos 1 – 6 (2025), computational media. All images courtesy the artist. Fracture is a series of digital images that blend generative AI, glitch aesthetics, and  LiDAR builiding scans. Generative AI uses artificial intelligence models to create new, original images from text descriptions or other inputs. Glitch artworks emphasize error, artifact, and […]

A Walled City is an interactive AI art installation that constructs a decentralized virtual settlement in real time, based on participants’ visual memories. The project draws inspiration from the demolished Kowloon Walled City (1950s–1993), a self-constructed, densely packed enclave that emerged from a unique historical and political anomaly in Hong Kong, China. In this unregulated landscape, […]

Badlands (2024) …is a speculative, linear, 4K video that speaks to anxieties surrounding the climate crisis, extinction, deep time, AI and extractivist capitalism. The video is composed of footage shot in situ in what is known as the Badlands. This area, which is located in the south eastern prairies of Canada, in the province of […]

Drifting Poetry explores the floating state of life through natural metaphors. Based on scientific visualizations, the project uses AI to model the forms of marine plankton, presenting them through poetry, video, and installation art. The project reinterprets the drifting behavior of plankton as a metaphor for the rootlessness and transience of human life in modern […]

Metamorphic Hunt “Metamorphic Hunt” is a digital video artwork that draws viewers into a surreal and poignant exploration of transformation, identity, and humanity’s fraught relationship with nature. Set within a collapsing ecological landscape, the work portrays a hunt unlike any other—a pursuit of creatures as they undergo profound metamorphosis into hybrid forms, blending the natural […]